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carlorattiassociati
Digital controls would allow "wet roof" to control shape of rooms. |
Visitors
to the 2008 World’s Exposition in Zaragoza, Spain, won’t need raincoats
or umbrellas to stay dry as they enter the 400-sq-meter entrance
pavilion, even though, if all goes as planned, its walls will be made
of water. Thanks to digital controls, the walls will part, creating
doorways; reconfigure to change room size; or even disappear, on
command. And the roof, itself a shallow pond, will also move up and
down. The building, when realized, will be a first.
“There
have been prior attempts to digitally control water, but this is the
first instance of usage in architecture,” says Carlo Ratti, whose firm
carlorattiassociati, Torino, Italy, is designing the estimated
$3-million Digital Water Pavilion. “Our key idea is adaptability: how
to make an architecture that can reconfigure itself based on need,” he
adds.
The design calls for two concrete
cores—a 12-m-square tourist informa-tion center and a 30-m-square
café—topped by a 40 x 10-m roof. Like a tabletop with two pedestals,
the stainless steel roof itself is covered with 500 mm of water. The
concrete boxes are designed to stabilize the roof, says Carlos Merino,
project structural and mechanical engineer from Ove Arup &
Partners’ Madrid office.
The roof is designed
to move up and down using 12 dispersed hydraulic pistons, each with its
own maintenance pit to store the 5-ft-long retracted hydraulics. “It’s
like a car lift,” says Merino.
The engineer
considered a full basement foundation under the pavilion. But Arup
ultimately selected a partial excavation because it uses less material
and is therefore more sustainable, he adds.
"Walls in the pavilion can move; spaces can expand or shrink based on usage."
— — Carlo Ratti, Architect |
The
water walls cascade from the roof’s surface. Digitally operated
solenoid valves along both the perimeter and the interior control the
water curtains, says Ratti, who in addition to leading the project’s
design also collaborated on the controls development in the Zaragoza
“Digital Mile” class at the Massachusetts Institute of Technology,
Cambridge, Mass.
To absorb the water, the
design calls for a sponge-like, aluminum floor where it can be pumped
back into the system. Pumps would be buried in nearby pits.
Walls
inside the pavilion would be able to move and interior spaces can
expand and shrink based on usage to adapt to visitor traffic. The roof
is designed to adjust, based on weather patterns. A windy day or
blinding sun might prompt lowering the roof, says the architect. At
night or when the pavilion is closed, the roof can be fully lowered to
the ground, its only trace a shallow rectangular pond around the cores.
If
physically prompted or programmed, the roof’s water valves could scroll
text or graphic patterns down the liquid facade. And visitors would be
able to interact with the walls through sensors, says the architect.
A
person walking on one side of the structure could make the water fall
in a certain pattern or function as a door opening, says the architect.
The interface is under design, including how much control a passer-by
can have over the water wall’s flow.
The
pavilion would also be sustainable. Air-conditioning would not be
necessary because the water-curtain system employs evaporative cooling
techniques. Plans also call for using recycled water and steel.
The architect considers the water pavilion to be prefabricated because time and space on site are limited.
The
pavilion’s technology bolsters the Expo’s water and sustainability
themes, as well as Zaragoza’s own claim as one of Spain’s top cultural
cities. The Expo will end in September 2008, but the water pavilion
will remain as part of a park.
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